That is the ultimate temptation inherent in turning classic plays into vehicles for screen stars. Those stars pull in audiences filled with the uninitiated, with people who fundamentally do not know how to watch a play, and who are too easily satisfied. Commercial success can be achieved with something half-baked. And half-baked seems to be more the norm than the exception with the successes that do result. Classic plays tend to require directorial shaping; stars tend to tempt directors to slack off. It’s not a good thing.
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Zero Dark Thirty Comments Off on Star-Crossed Revivals |
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Director David Schweizer has employed the unique resources of a professional company to sand down some of the rough edges in the script, in a way smaller companies couldn’t do. Using those resources, he has sneakily transformed a mid-century work of American realism into something fantastical like Midsummer Night’s Dream or As You Like It, and thereby has solved a lot of problems.
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William Shakespeare Comments Off on Not in Kansas Anymore: Bus Stop at Center Stage |
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The flaws I’ve mentioned are real, but are far from detracting altogether from the enjoyment Bus Stop has to offer. Inge not only speaks up for crazy love, but for rustics who in their own ways are crazy like foxes in their pursuit of it.