The Big Picture and the Closeup

The shows discussed here, brave and iconoclastic about sex, or mixing opera and cabaret, or presenting the opposition of plutocracy and philanthropy with theater piece tools, remind us how vital it is that the theater keep on giving us things we haven’t seen before, might not be comfortable watching, things that stun us and surprise us. I would go so far as to say that if theater ever stops giving us edgy work, it will cease to be theater. Here’s to edgy.

In less than three minutes, Bacharach takes you on what seems like a compressed tour of the whole territory of heartbreak, courtesy of his amazing mastery of the pop orchestra. He composes, he orchestrates, he conducts, and he creates a sound that is uniquely his, one I would come to know as the quintessential sound of 60s pop.

Figuring out girls with a little help from Judy Garland and Marlene Dietrich …