Williams provides a musical metaphor for that wonderful dream we’ve all had sometime, in which we learn to fly. And that dream is in turn a serviceable metaphor for the erotic ecstasy of Superman and Lois. That was how I wanted to think of myself then: freed from the bonds of conventional morality, accompanying professional success with sexual release, floating high above everything.
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1953,
1982,
Andrew Drannon,
Arthur Fiedler,
Assistant United States Attorneys,
Austria,
Bostop Pops,
Can You Read My Mind?,
Christopher Reeve,
Close Encounters of the Third Kind,
DLA Piper,
dream of flying,
flight,
Funhouse,
infidelity,
John Williams,
Lois Lane,
Margot Kidder,
Marshall Plan,
oboe,
Pops in Space,
St. Stephen's Cathedral (Vienna),
Star Wars,
Superman,
Superman Love Theme,
The Empire Strikes Back,
unsubs,
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And yet, cursing my ineptitude, I could not get up the courage to put myself next to her and talk, let alone ask her to dance with me. But oh, I wanted to! Then the not very good band started to play once more. This moved fate into my corner, because the band had left a ukelele on the stage. Picking it up and plucking at it, I found I could more or less fake my way through a melody. Kate’s friend broke the ice, and asked me if I played.
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1965,
Back to the Future,
Cher,
Chris Rock,
clarinet,
dances,
Doc Brown,
first kiss,
high school,
high school dances,
I Got You Babe,
kiss,
oboe,
Sonny & Cher,
Sonny Bono,
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