Archive for the ‘The Close Up’ Category

Confronting the Paradoxes of Faith in EVERYTHING IS WONDERFUL at CATF

I do not read Marcantel as indicting religion as such; she shows us how much groundedness and understanding faith gives. Every faith needs, and has, its own ‘Ordnung,’ but in order to live fully and well, Marcantel seems to be saying, believers will always need to transcend it. And then, as the play hints, believers will also need to return to it. Every faith journey will thus be a work in progress, forever.

The Bronx is Up – and Dancing to Hip Hop – in CATF’s WELCOME TO FEAR CITY

Welcome to Fear City, premiering at the Contemporary American Theater Festival in Shepherdstown, WV, shambles along amiably, looking as if it has no more greater object than to be a loose black family dramedy set forty years ago. That is, until it dawns on you that the play’s ambition is to be nothing less than a snapshot of a time and place where a lot of things happened, and one vitally important thing, hip hop, came into being.

A Gripping Struggle for Souls: WE WILL NOT BE SILENT at CATF

If by betraying her principles Scholl could prolong her life, as opposed to adhering to her principles, dying, and having no impact at all, which choice should she make? And this is not just her existential question: It is her interrogator Grunwald’s as well. It would appear that Grunwald has made the opposite choice. But has he? At the very end of the play, that question is reopened.

You Should Visit BYHALIA, MISSISSIPPI at CATF

The virtue of Byhalia, Mississippi lies precisely in its modesty. It prescribes no rules, apart from loving one another and telling the truth, for getting through a marital and race-inflected social crisis in a small town; it simply shows how one not-overwhelmingly admirable couple does it. And at that, the true secret here may just be the jokes. Those, and the blackout line at the very end of the play, which just may bring a lump to the throat.

A Clash of Perfectly Opposed Titans in THE NICETIES at CATF

A two-fisted drama of ideas, The Niceties may well leave you devastated, and will certainly send you out talking. Itwill keep you thinking and probably angry, regardless of where you come down on the issues very articulately debated in it.

Incandescent Youth and WILD HORSES, a Heady Combination at CATF

The group portrait of the youngsters (The Woman’s younger self, her partners in crime Zabby and Skinny Lynny, the callow young men who pursue them or whom they pursue, and The Woman’s big sister, aka The Favorite) in all their confusion, pain, and, most important, their exuberance and their desire to meet life head-on, even if they do not really know what that meeting will demand or entail, is the point.

And I Kinda Like It

The greatest gift that starting my own column gave me was finding my voice. I was expressing my distrust of the powers that were, my awareness of the evils wrought by the powers that had been, and my bitterness about the whole situation, with all the honesty and erudition at my disposal. I had never heard myself talking that way before. And I kinda liked that sound.

God’s Extravagant Creation

A 91-billion light-year wide cosmos, filled with billions and billions of stars and black holes and planets, etc., just so there could be an us. It’s conceivable, but at the same time insane. What could we possibly think about a God who would paint so long and so hard on such a stupendous canvas, when the most interesting and important detail was all encompassed in one little speck buried in some off-center part of the picture that no observer could possibly see?

Single Carrot’s Magical Mystery Tour: A SHORT REUNION

The Therapist, embodied by Paul Diem, launched into a spirited evocation of the art of theater, which morphed into a vision of all life as a work of art. In that spirit, flags and funny hats were passed out to the congregation, as the Therapist stripped down to Superman skivvies and led the whole assemblage out onto Howard Street in a bacchanal, with a motorist honking in rhythm with the syncopation of Faith, and thence back to the theater.

Appalachian Agincourt, Hillbilly HENRY V from Cohesion

The play makes no scruple that the marriage is a term forced upon France as part of a surrender, in order to bring about a dynastic consolidation. Nonetheless, I have never before seen the courtship scenes at the end of Act V presented other than as romantic comedy. Not here. Here Katherine visibly regards Henry with visceral distaste, is struggling not to be kissed by him, and the whole thing comes across as the prelude to a rape. (All without changing a line that I could determine.) Henry would be blind not to see how she feels about him, and his proceeding with a sunny demeanor and lines about his love for her, as he does, can only result from a profound lack of interest in her feelings. By now we recognize him as willing to do almost anything in pursuit of his own and his country’s interests, and not a nice guy.